Juneteenth 2023, RC style

June 20, 2023

Hey all,

It’s our most bittersweet day of the year as we commemorate another Juneteenth with both hope and despair. Maybe you know our drill by now: release a three-song EP and donate all funds to charity. Once again we have chosen a cover, a brand-new Royal Chant original, and then an acoustic reworking of something from our back catalog, and packaged it all together for a Bandcamp-only release that sees 100% of all funds going to Change The Record and Black Rainbow.

Change The Record seeks to address the root causes of Indigenous incarceration and works to prevent imprisonment. Black Rainbow advocates for Aboriginal and Torres Strait Islander LGBQTI communities.

Choosing our cover this year involved a somewhat circuitous process, as we came across this gem during a random re-watching of “Wet Hot American Summer: First Day of Camp” at some point last year.

It just seemed so perfect that we had to do a little digging to find out more, which led us to composer/songwriter Craig Wedren and this acoustic version by the man himself.

After hearing that stellar piece of work we of course went “oh damn!” and had to keep digging, which led us to his bio where we find out that he was the frontman for Shudder To Think, which means he was responsible for one of the two greatest and most impressive soundtracks that shaped some very important & formative years as we were trying to figure out who and what we were and are.

and this goldmine (pun intended, obvs)

And that sealed the deal right there, really. It was no longer a discussion or up for debate, it just had to happen.

But of course we kept digging a little more a stumbled upon these bits of Shudder To Think from before and beyond the Velvet Goldmine soundtrack, and it reminded us that before Nirvana completely dominated the conversation, when the alternative underground first broke in America, it seemed poised to take a number of wildly divergent directions, and for that brief moment when record label scouts & executives were signing anything and everything that smacked of otherness and traditional media were scrambling to keep up there was something truly wonderfully bizarre and alternative before it all became “Alternative™”.

And then of course we recorded a new song, because once a year we like to pretend we’re big enough and mysterious enough to warrant such a thing. This is “Hospital”, a tune I was mucking around with for a while and decided to finish once we had the chance to go into a proper studio and work with a proper producer again. Don’t get me wrong: I LOOOOOOVE home recording and DIY, but just because I’m on a diet doesn’t mean I can’t look at the menu.

Anyways, despite the very svelte production of course I thew together an indie fill clip to go with it. No one is making any money in music these (well….no one WE know), and it’s always a good time to remember and embrace that fact.

Thank you all for listening and reading, and keep spreading the love in any and every way.

You’re the best,
RC xoxo

Feature album: Royal Chant – Anyways and also Sorry

September 13, 2022

aw yeah….

Tomatrax

It’s feature album time again. You may have noticed the name change from “Album of the week” to “Feature album”. This is because these have been coming out less frequently then initially intended and rather than trying to change that we’ve decided to just subtly lower the expectations.

This week we are featuring the most recent offering from Port Macquarie’s Royal Chant. Yes that means this is the third time this year that Mark Spence has been featured in some shape or form, but he’s been busy releasing lots of stuff!

In this the band’s 9th album, Royal Chant continue producing infectiously catchy tunes delivered in a raw garage rocking fashion topped with Mr Spence’s poetic and cryptic lyrics.

13 years. 9 albums.RoyalChantget around.RoyalChant(often abbreviated as RC) is an Australian indie rock band formed in 2009 in the small coastal town of Port Macquarie. The band has made frequent personnel…

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Royal Chant nous dévoile le clip de The Daily Exchange

July 5, 2022

Album of the week: Sickboy – Vanity and velocity / Water never waits (throwback)

April 29, 2022

Old skool lovin’ xoxo

Tomatrax

This week we are throwing back to Mark Spence’s previous band before starting Royal Chant. Back in the mid naughties Mr Spence fronted an Atlanta based three piece named Sickboy. The name inspired by the 1996 film Trainspotting. As both releases were EPs, we’re featuring both to provide an album’s worth of music in aggregate.

The band’s first release was ”Vanity and velocity”.



Following this release Mark relocated to Australia. Shortly after the move, Mark explained that ”After Vanity & Velocity came out, some good things were starting to happen with the band, but we kept dropping the ball, both musically and personally. Most of it, if not all, was my fault, but there was always this inherent crippled nature in the way Sickboy functioned as a band in the States. Eventually, I sort of threw the towel in (or many towels), and accepted an offer to play drums on…

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Album of the week: Good fake – You vultures

March 28, 2022

Still doing things, even if the end of the world seems near xoxo

Tomatrax

This week’s feature comes from the online music project between friends in Tennessee, Missouri, and Australia, Good Fake.



On vocals is frontman for Royal Chant and Designer Mutts, Mark Spence. Mark had the following to say about the release.

“COVID has destroyed the live music sector and the only silver lining of any sort we have found thus far was a bit more time for creative projects further afield from our usual bebop, anti-folk, & indie rock comfort zones.

“You Vultures” is a 7-song effort that straddles the line between LP and EP, and definitely treads in musical territory outside of my comfort zone.

For fans of (maybe, we’re winging it here): Tool, A Perfect Circle, System Of A Down, Foo Fighters, maybe some old Radiohead, Stone Temple Pilots. I dunno, it’s in a heavier vein, you get me.”

Check out Good Fake’s Bandcamp page to find out more!

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Window of ’21

August 9, 2021

A brief respite
like waking
at dawn as it spreads
we sang
we danced
it came to an end
mistakes were made
and we would gladly
make them all again
now we sing
in our heads
into the void
carry on
as you were
joy is brief, of course
we know this
but still it hurts

September 20, 2020

Aw yeah xoxo

Tomatrax

10. Marble Sounds – No one ever gave us the right

9. They Might Be Giants – I like fun

8. Sylviane – Abeyance

7. Beauty in Chaos – Storm

6. Michael Cullen – Black dog

5. Royal Chant – [other]

4. We Yes You No – Tricycle Joyride

3. Postcode – Take me as I am

2. Ali E – Landless

  1. Frantic Chant – Fiberglass Spiderlegs

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Hic Incipit Pestis

March 29, 2020

Hic incipit pestis
here it begins
these new Roaring 20s
which feel like an ending
and no one is dancing

The plague is upon us,
show us some mercy
as I fall to pieces on the train
at the latest news
that means something
only to me

I did not take it as well
as I had hoped

I do not take it at all

I blame the plague
for being distraught
out of sorts
late on my rent
and overly weepy

The train has stopped
my life in pieces
I march forward
out of doors, onto a platform
that can no longer hold any of us
for another moment

The plague is upon us,
show us some mercy

DIY Indie Film Clips For A Lazy Sunday

December 22, 2019

Got bored and decided to do a few more film clips for songs from our Minor Crush LP. (View the first five HERE)

I threw together some vignettes of domestic psychodrama for “Epithet”

And then I begged our good friend and long-time RC film clip producer/collaborator Matt Clements for a stash of NYC hyper-lapse footage and made a lyric video for the album closer “Fading”.

And that’s how we roll.

xoxo

Familiar, Strange, & Vague

December 22, 2019

This history feels
Familiar, Strange, & Vague
“Welcome to the company, m’boy!”
they said, grabbing my hand
and shaking me limp.
It was the beginning
of the endless cold in my bones
endless cracks in the façade
now sleepless & speechless since

“Always aim for the jugular, m’boy!”
they said
day after day after day
until these delusions
became routine
our daily bread
our cup of salted meat

Here I sit and shall remain
Familiar, Strange, & Vague