Posts Tagged ‘Lyrics’

Finds

May 12, 2018

I’ve been trying. Like, for real this time, and slowly but surely one might say I am truly starting to “get the hang of things.”

I’m talking about finding and listening to new music, of course.

Here are a few that I have stumbled across, mostly by accident, which makes them that much better. My writer friend Nathan Jolly (of whom I am insanely jealous) wrote an article “on the unexpected joy of random Spotify discoveries“, and he is most definitely right. He’s also just released his second novel, so fuck that productive ambitious guy, amiright?  definitely give him a read. He’s also very prolific within the pages of Australia’s better music press, so there is a decent chance you already have.

This all started with Guided By Voices, as I was on the hunt trying to unearth more of those very special & amazing (to me) tracks that leave me stunned. Thanks to the internet, rabbit holes are now easier than ever to dive into, so it was almost immediately hit by this gem from Robert Pollard’s side project, Boston Spaceships.

It kind of swaggers like cock rock but has the shuffling nonchalance of my favourite kinds of shambolic indie, so of course I’m going to like it.  Since Spotify is like an A.I. Forrest Gump, it keeps on playing things in the same (kinda) vein, which is how I stumbled on this:

First up…how the hell had I never heard Archers Of Loaf? I mean, I heard the name years ago back in the states, but I think I must have just brushed them off because the moniker reminded me of a bastard child of Meatloaf and Captain Beefheart. Just the name, mind you, I mean….fuck it: I missed this one bad. Wait….THEY HAVE BOWLING IN THEIR VIDEO?!?!?

I could stop now and say, “that’s it I’m done”, then storm off and do something useful like take up smoking, but I feel compelled to bring this to your attention:

Yeah. That’s my kind of jam right there.

Stumbling onwards, I came across Superdrag for the first time

I have no idea where to place this in time. Is this an also-ran from the post-Nirvana label feeding frenzy? I had no idea what they looked like or how they dressed, so this video gave also gave me the idea that they were a byproduct of the pop-punk wave and missed it by a country mile. I dunno, but he goes “Yeeaaahhhh” in a way that doesn’t suck, so I kinda like it.

Also: another video from a band of white slackers featuring white folks dancing badly. This is a thing and has been for some time, but no one knows why.

Here is my personal fav from this little excursion, and another regrettable late first listen:

Everyone who knew about this song and didn’t tell me is guilty of some kind of fireable offense, because this is too good and so effortlessly cool that I am all kinds of jealous and awestruck. Further reading on the band revealed that Robyn Hitchcock was a founding member, so “What the hell music universe?!??!”

I don’t know if the rest of their stuff is any good, but it doesn’t matter: this one song is good enough for a career in my eyes.

I listened to the new Arctic Monkeys LP yesterday, called [insert overly long & pretentious LP title here], and it rather sucked. In reading some other reviews about it, mostly regurgitated and forced positive PR spin by folks who should know better, I was reminded that Liz Phair’s Exile In Guyville was recently given a deluxe re-issue.

Now, I’ll be honest: I have only heard one Liz Phair song in my entire life, and that was from a mixtape that a former partner gave me many many moons ago. So, let me apologize now for missing out on this. Beyond the Guyville LP, I am listening to the expansive Girly-Sounds demo cassettes that would form the basis for the “proper” album as well as subsequent releases. My music library is definitely a sexist cesspool of overwrought male geniuses basking in the pitiful glory of their abundant verbiage, so I am doing my best to make amends.

I will always have a thing for just an acoustic guitar & voice recorded on a 4 track, and this is great not only as a curious artifact of pop music history, but because the songs are genuinely…wait for it….good.

Verdict: old Liz Phair demos > Arctic Monkeys latest

This came to our attention via a press release last week. I remember playing a few shows with these lads many years ago, and they have just announced that they are leaving Oz and resettling in LA at the request of their new manager/filmmaker/friend, which is cool but kinda sad coz all the bands we used to know are either broken up or kinda gone from the scene in one way or another. This came with the helpful title of , “If you like The Strokes then listen to this…”, which is an honest and concise way of putting it. A lovely melody here, and top notch production, if that’s your thing. Good luck gentlemen, we hope LA treats you well.

We’ll sign off with a glorious indulgence in nepotism. If you’ve been around or known Royal Chant prior to 2015 then you would have known our lovely James Carthew on guitar, and while he is on perpetual shore leave building robots of the future in San Fransisco he is still very much a part of Royal Chant.

He is also very much doing his own things, including his band Drunk On A Bike. That was “Hugs” off their second EP, helpfully titled Oakland One, because their first EP was titled Oakland Zero, and they have just released their third EP Oakland Eleventeen Two.

It has been a real first-world struggle to get out of my musical rut and get my ears around some new music, but it’s a new habit I am trying to form and I’ll keep plodding along as always. Send me your recommendations if you’re so inclined, because I have started to take these personal suggestions much more seriously these days instead of brushing them off and then annoyingly finally listening to it 6 months later and loving just like you said I would.

Just ask James if you don’t believe me xoxo

Advertisements

New Music T̶u̶e̶s̶d̶a̶y̶ Wednesday

March 7, 2018

“New Music Monday” sounded waaaaay better, but that didn’t happen, (nor the night after), so this is the best effort from the B squad coming at you. Since it’s not always about me me me I thought I’d share a few tunes from the unheralded underground that exists outside of Australia’s predictable pay-to-play hype-machine.

First up…

“Mantras For A Failed Academic”
Sad Hill (Perth, AU)

This is a new song from a (forthcoming) new album from a new band called Sad Hill. They’re coming in hot with a stellar pedigree, with at least one member (and possibly/probably two but can’t confirm coz they’re so new that info is hard to track down and it’s raining in Port Mac at the moment so the internet is playing up weird), being drawn from the ashes of former WA indie hard rockers Emperors, which means that their entry into the Australian music scene is basically a retread of Lester Burnham applying for a job as a cashier at Mr. Smiley’s. Trust me: they definitely have fast food experience.

They were recently named Band Of The Day (#146, to be exact), over at UK blog Overblown, to which we immediately thought “Oh, good for them!” [Also: “Hey, we’re jealous but gonna a smile through the pain & envy, make it a double thanks.”] Any press is good press, for realz, but they also described the single as “Some very lo-fi and chuggy punk that seems to be inexplicably mixed with Iron Maiden“, to which we internally replied…wait, what? Is this what we’re calling lo-fi these days? Damn. I don’t even want to know what counts as hi-fi then. They also threw us another curve-ball by listing the band members listed as

Jonathan, Anton, Simon & Elias. Charlie Lopez – Drums, 2011-2014

…even though there are only three people in the band pic and I know that my mate’s name is Greg (unless they are operating an entirely different Andy Kaufman-level and I’ve been left out of the joke). But, that’s the sort of new-band hijinx that warms the heart, really. Check it if you like things on the slightly heavier side but still like to use a thesaurus now and again. “Intelligent rock” is probably loaded with negative connotations, but it shouldn’t be.

We’d like to now direct your gaze to our favourite haunt of Sydney, and apologize now for being a few weeks late getting the word out about the latest from Whispering Jackie. This is “Fast Life”, and I knew this song fairly well before I ever heard the recording after doing quite a few shows with them last year. [Full disclosure: yeah, we did quite a few shows with them last year.]

This is a very fast & catchy number, with a chorus in 6/4 that keeps you slightly off balance but still in step, plus lyrics that somehow manage the impossible feat of directly quoting Neil Young yet leaving the listener feeling better, not worse because of it.

Whispering Jackie have become not only one of our most beloved bands to tour with, gossip over drinks with, and generally be part of the scene with, but they are definitely mates and I don’t use that term lightly (coz I’m not actually Australian and am probably using it wrong anyways.) Everything this band touches turns into furious garage-pop gold, and I am envious in so many ways.  Top stuff.

I’ve been meaning to write about Fingermae since our last show together in 2017 at Vic On The Park (ed: it was last May. Damn, I am slow]. I saw a few days ago that they had a new song out called “Not Racist But”, which immediately made me seethe with envy over the title alone.

- Whew. Good title. - Mmm. Yours?

WordPress is being a dick about embedding certain music players coz of blah blah blah I don’t know I’m old and tired and have been trying to finish this post for three days, so instead of embedding a proper music player from Fingermae’s Triple J Unearthed page I had to scrounge up this YouTube clip.

You get the idea.

I can’t say enough about Fingermae’s frontwoman Sally, as she is staple of the Newtown music scene, and thanks to her role as booker and soundie at the Town Hall Hotel in Newtown she has probably single-handedly done more to keep my own band going than anyone, including myself. Beyond that, Fingermae have hit upon that one style of music that no one ever does and no one ever even thinks to do: anti-folk.

Their self-styled description alone ticks all of the boxes for me:

We call it Jazz Punk; there’s lots of chords with unreasonably long names played fast, heaps of sarcasm, adult themes and beats that will compel motion.”

This was literally me for so, so long, and now I want to go back. I remember having so much to say, and it all needing to come out, and watching & listening to Fingermae just makes me straight up…happy. Stupidly, ridiculously happy.

There’s a surfing adage that “the best surfer in the world is the person having the most fun”, and I always think of that when I see Fingermae’s drummer Lauren on stage. Her irrepressible joy behind the kit makes me jealous. I ask myself, “have I ever had that much fun? HAVE I?!?!?”

I honestly don’t know.

We’ll say good night and leave you with a new clip from our mates Wasters, who have joined forces with our fav US director Matt Clements to bring you their new clip for “Keep Me Waiting”.

Again, I cannot say enough good things about this band and their music. They have been great tour mates & given me much food for thought over the last 4-5(?!?!) years we have been kicking around together, and this is another gem in their ever-expanding quiver of impeccable pop-punk hits. Check it.

That’s all from the front lines for now. Blast these loud and show them some love if you feel so inclined. As easy as it can be to get so jaded about music and whatever scene you’re in, trust me: your voice always matters–make yourself heard.

Call/Shout/Complain/Preach/Annoy/Demand Better

xoxo

Pride & Poverty

January 13, 2018

[apologies to my long-suffering blog. I feel like a neglectful parent. So much to write, and yet…]

I guess it doesn’t matter much anyways, as the next post was always going to be this post, which was always going to be about our new record. Over the months there were many things I thought I might write about, but in retrospect I see how much this record consumed my life and yeah, of course nothing got done. So here we are, once again.

Pride & Poverty

YOU ARE HERE

What started as 12 songs has now become 7, because things happen and plans change and ideas that once seemed brilliant suddenly appear as horribly ill-conceived howlers. In the end we are left with a disposable monument that declares: these are some things we thought and this is the best we could express them.

More verbiage is not going to sway anyone’s mind in this day and age (if it ever could), so we decided to take as much control of our music as possible. Rather than lament what is not happening at the hands of other people, we decided to do whatever was within our powers to affect, create, or shape our little universe. Instead of hassling & hustling for meager radio plays that no one hears, or moaning about other bands “getting” what we think we deserve, we channeled our energy into things we could control and into all the various accoutrements surrounding the songs and the record. The artwork comes from the hand of our talented bassist Adam Murray. The layout was kept in-house, thanks to our guitarist (on shore leave) James Carthew. And instead of paying money-we-don’t-have for PR and expensive film clips, we did them all ourselves.

RC 11 B & W

DIY PINUPS

And that’s it. Here is our new record, laid out in 7 clips from the DIY heart of Australia’s underground. We hope you enjoy.

..:: ROYAL CHANT – PRIDE & POVERTY ::..

1. Power Pose
AN ODE TO ACTIVE WEAR

2. Shooting Sparrows

3. Back To Front
SHRED TIL YA DEAD

4. I Get A Kick Out Of Being Kicked Around By You

5. Cargo Cults

6. Yada Yada Yada

7. Slowly, To The End

And with that, we ask ourselves: what next?

Of course we don’t have much of an idea, but it will likely be more of the same, in due time.

For now, we’re at that point in our trajectory where we’re too old, too proud, & too lazy to keep asking our fans to participate or initiate a never-ending obstacle course of promotion on our behalf. Not only is it annoying to all involved, it’s also downright embarrassing, (and a bit sad). All we want to do is make music, and we assume that the listener would rather just, you know: listen to music, instead of texting and sharing and tweeting into the void.

In the spirit of simplification, and as a reflection of the new landscape of the modern digital music biz, we thought it worth mentioning that the easiest way to support us or any other band you love is by following us on Spotify.

That’s it.

We’re heading out to play some shows around Australia, (because of course), so come out and have a shake with us if we make it to your neck of the woods.

Holler back if it’s been a while, and I promise to write more soon.

xoxo

 

Inventing Colloquialisms

September 6, 2017

So….Royal Chant have a new single out, because of course we do. It’s called “Shooting Sparrows”. One student hanging around at school asked me what the title “Shooting Sparrows” meant, to which I promptly replied, “I don’t know”, which is, of course, the only answer one should give when asked about the meaning of anything.

We all have our pet peeves (some more than others), but as a songwriter, telling someone the “meaning” of a song rather defeats the point of writing it in the first place.
Don’t. Do. It.

Singer/Songwriters are probably the most guilty of doing this, as they often perform in small, intimate settings, often in venues devoted to acoustic music or in “songwriters in the round”-type settings, where basically you have to get up there and talk about your songs or share some funny story or explain the irony or witticism behind the title, or whatever: it’s just a shit show.

The 90s probably made things even worse, with everybody getting “unplugged” and the Indigo Girls, Shawn Mullins, Alanis Morissette, and Jewel not only setting their diaries to song but going out of their way to explain what everything means in a helpful pre-song presentation, just in case you got confused and decided to use your imagination.

The term “Shooting Sparrows” doesn’t mean anything that I know of. I think I was trying to lean on some Southern flavour in a “To Kill A Mockingbird” kind of way, but I’m not even sure if they HAVE sparrows in the South. The original line was from another song I wrote over 10 years ago that went:

I’d sooner shoot at sparrows than be kept away from you

That song wasn’t all that good. Maybe this new one isn’t much better. I have no idea, but I invented a phrase that has no meaning but sounds like it might, and that will do for now.

Of course you can hear this meaningless colloquialism of my own invention everywhere and in every way that people are still doing the music thing these days. Downloads, streams….anything but an actual record.

That’s how we do it in Vegas xoxo

I Get A Kick Out Of Being Kicked Around By You

April 19, 2017

Nobody pays, nobody minds
Everyone’s game every once in a while
You radium girls, that’s quite a smile
Nobody came, and nobody tried

I gave you my heart and you gave me the boot
I get a kick out of being kicked around by you
I get a kick out of being kicked around by you

What would you trade to taste it all?
We got a day to waste and a bottle of panadol
What would you pay for some piece of mind?
Nobody came, and nobody smiles

I gave you my heart and you gave me the boot
I get a kick out of being kicked around by you
I get a kick out of being kicked around by you

++++++++++++++++++++++++++++++++++++++++

Good morning,

I should be out surfing, being the holidays and all and given how much I complain, but it seems a bit on the cold side, so I’m going to wait just one more minute, just one more cup of tea. I’m gonna go, I swear.

While I’m in this holding pattern, now is as good a time as any to let you know we’ve got another new single out, and it’s short and sweet and doing about as well as most Royal Chant singles seem to do (read: not well enough).

Our bassist, Adam Murray, came up with a film clip for it using old Super-8 footage from his parents and violá: we have another small piece of noise to add to the monstrosity this is, has always been, and always will be the “music industry”.

 

As usual, you can grab it for free from Bandcamp

Or maybe SoundCloud is your thing….

Or, if you wanted to be a super trooper you could hop on over to our Triple-J Unearthed page and get it that way. If we thought it would work we could try and bribe you into leaving a review or rate it to help us keep up with the young whipper snappers (let’s face it: Royal Chant ain’t exactly a collection of Spring chickens anymore, if we ever were in the first place), because HOLY HELL HAVE YOU SEEN HOW MANY PLAYS AND LIKES AND REVIEWS AND SHARES THESE YOUNG BANDS HAVE?!?!?! I’m so happy for them I stand in awe, then shame, then quietly sneak out while everyone politely looks away.

https://www.triplejunearthed.com/embed/5860751

And that, as we say in the business (claps hands), is how it’s done.

We’ve got some more dates to keep us busy until the end of May, and then it’s time to rest, collect our marbles, and get the record ready so we can do it all again.

.:: Royal Chant Tour Dates ::..

Saturday, April 22 – Meatstock Melbourne
Saturday, April 22, Retreat Hotel, Melbourne
Sunday, April 23 – Meatstock Melbourne

Friday, May 5 – Vic On The Park (Sydney) w/Fingermae
Saturday, May 6 – Meatstock Sydney

Sunday, May 7 – Meatstock Sydney

Saturday, May 20 – Ric’s (Brisbane)

Friday, May 26 – Town Hall Hotel (Sydney) w/Wasters
++++++++++++++++++++++++++++++++++++++++

That’s all the news from here. Remember: nobody pays, nobody minds

xoxo

-M

OMG! Are you on Facebook? coz we’re on Facebook, and we should, like, totally be friends.

March 30, 2010

A Series of Sighs

She used to say that she could tell when I was angry by the look I had on my face
When you don’t look anybody in the eye, but you don’t look away
The words come out crystal clearly, while your mouth twists itself into strange shapes
And you’re acting just a little too sincerely, and remembering your facts too straight

Walk into the room and nobody notices you, and no one remembers your face
You’re in the mood to be anonymous, and we all know better than to use our real names
And the talk is so cheap that it can’t help but be anything other than straight
We’ve all got different conversations, but we’re all talking about the same thing

Life begins as a series of expectations
and turns into a series of declarations
then it’s one long pull of accumulation
in the end it’s all one big miscalculation
then a series of sighs…..

Just because I can….

August 2, 2009

Somedays

and then there was the time I threw up on the new carpet, and blamed it on the cat…it’s usually not so bad, but….somedays.  And then we got lost in San Antonio–the heat gave out and we nearly froze<—-that’s supposed to be an exception, but…..somedays.  Then I walked into the room by surprise it was a Sunday morning but I always think it’s Saturday night things couldn’t get much worse, but…somedays. And even when nothing’s happening it all keeps playing in my head it all becomes an endless wall of somedays….

ANNNNNDDDDDDDDDD!!!!!!
I’m an American guy who gets American high
off of big guns and amphetemines
in this American world and these American girls
I swear…they’re getting fatter day by day.
day by day by day.

and then I almost felt sorry for someone else as they were falling into where I just fell out, (I was gonna tell ‘em but they can learn for themselves…someday). So! Brace yourself and grit your teeth, it can happen to you if it can happen to me, and man, I wish I could laugh about it…somedays.

ANNNNNDDDDDDDDDD!!!!!!
I’m an American guy who gets American high
off of big words I dunno what they mean
in this American world and these American girls
I swear…they’re getting fatter day by day.
day by day by day.