Posts Tagged ‘Tour’

I Get A Kick Out Of Being Kicked Around By You

April 19, 2017

Nobody pays, nobody minds
Everyone’s game every once in a while
You radium girls, that’s quite a smile
Nobody came, and nobody tried

I gave you my heart and you gave me the boot
I get a kick out of being kicked around by you
I get a kick out of being kicked around by you

What would you trade to taste it all?
We got a day to waste and a bottle of panadol
What would you pay for some piece of mind?
Nobody came, and nobody smiles

I gave you my heart and you gave me the boot
I get a kick out of being kicked around by you
I get a kick out of being kicked around by you

++++++++++++++++++++++++++++++++++++++++

Good morning,

I should be out surfing, being the holidays and all and given how much I complain, but it seems a bit on the cold side, so I’m going to wait just one more minute, just one more cup of tea. I’m gonna go, I swear.

While I’m in this holding pattern, now is as good a time as any to let you know we’ve got another new single out, and it’s short and sweet and doing about as well as most Royal Chant singles seem to do (read: not well enough).

Our bassist, Adam Murray, came up with a film clip for it using old Super-8 footage from his parents and violá: we have another small piece of noise to add to the monstrosity this is, has always been, and always will be the “music industry”.

 

As usual, you can grab it for free from Bandcamp

Or maybe SoundCloud is your thing….

Or, if you wanted to be a super trooper you could hop on over to our Triple-J Unearthed page and get it that way. If we thought it would work we could try and bribe you into leaving a review or rate it to help us keep up with the young whipper snappers (let’s face it: Royal Chant ain’t exactly a collection of Spring chickens anymore, if we ever were in the first place), because HOLY HELL HAVE YOU SEEN HOW MANY PLAYS AND LIKES AND REVIEWS AND SHARES THESE YOUNG BANDS HAVE?!?!?! I’m so happy for them I stand in awe, then shame, then quietly sneak out while everyone politely looks away.

https://www.triplejunearthed.com/embed/5860751

And that, as we say in the business (claps hands), is how it’s done.

We’ve got some more dates to keep us busy until the end of May, and then it’s time to rest, collect our marbles, and get the record ready so we can do it all again.

.:: Royal Chant Tour Dates ::..

Saturday, April 22 – Meatstock Melbourne
Saturday, April 22, Retreat Hotel, Melbourne
Sunday, April 23 – Meatstock Melbourne

Friday, May 5 – Vic On The Park (Sydney) w/Fingermae
Saturday, May 6 – Meatstock Sydney

Sunday, May 7 – Meatstock Sydney

Saturday, May 20 – Ric’s (Brisbane)

Friday, May 26 – Town Hall Hotel (Sydney) w/Wasters
++++++++++++++++++++++++++++++++++++++++

That’s all the news from here. Remember: nobody pays, nobody minds

xoxo

-M

OMG! Are you on Facebook? coz we’re on Facebook, and we should, like, totally be friends.

the Yada Yada Yada….

January 18, 2017

So yes of course it’s been ages since I wrote and yes of course I feel guilty and yada yada yada…

And yes of course that is the name of the new Royal Chant single. Yada Yada Yada.

Although it’s not part of my normal vernacular it used to come up from time to time in my stage banter.  Some of the lyrics I poached from a previous song that never got finished, and the chorus, is, of course: Yada Yada Yada.

We’ll see what Australia thinks of it, but if previous performances are any indication it’s probably safe to assume…we have no idea. Probably not much.  You can get your hands on it through all the usual.  Some folks really like bandcamp….

While others prefer to get their kicks through SoundCloud…

There’s always our Triple-J Unearthed page where you can have your say by leaving a rating or review, but we’re not Spring chickens anymore and the youngsters have really changed the game. If I sound jealous, don’t worry: I am.

And yeah, that’s how we roll. We’ve got a stack of tour dates kicking off on Australia/Invasion Day, and then we’ll see if we’re still in one piece at the end of it all.

And lastly, just so I don’t lose sight of my roots…

See you out there xoxo

..:: Royal Chant – Yada Yada Yada National Tour Dates ::..

Thursday, Jan 26 – El Grotto, Scarborough WA
Friday, Jan 27 – The Fly Trap, Fremantle WA

Saturday, Jan 28 – Babushka, Perth WA

Saturday, Feb 11 – The Factory Theatre, Marrickville NSW (Elliot Smith Tribute show)

Saturday, Feb 11 – The Town Hall Hotel, Newtown NSW (midnight show)

Wednesday, Feb 22 – Lass O’ Gowrie, Newcastle NSW

Saturday, Feb 25 – Meatstock NZ, Auckland

Sunday, Feb 26 – Meatstock NZ, Aukland

Friday, March 17 – The Pier, Port Macquarie

Saturday, April 22 – Meatstock Melbourne

Sunday, April 23 – Meatstock Melbourne

Saturday, May 6 – Meatstock Sydney
Sunday, May 7 – Meatstock Sydney

Hype

June 5, 2016

We might be rolling into the dead of Winter (since we’re talking about Australia that might not exactly evoke massive swells of pity), but it’s as good a time as any (read: very, very dumb) to climb into our tour wagon and head out there to hawk our latest wares that no one asked for.

In this case, we’ve joined forces with our favourite Sydney band Wasters and released a split 7″ on vinyl for all those people who still care to listen to their music the same way their grandparents did.  The good news is that since we only pressed 50 copies total we stand at least even odds to sell out and then never do this again.  If my time in the music industry has taught me anything, it’s to keep one’s expectations incredibly low and to call it a victory as soon as possible before your fortune has a chance to reverse itself.

So now we’re headed out the on the road, with a local show in Port Macquarie on Wednesday followed a trip up to the slightly warmer climes on Brisbane on Friday to take the stage at The Bearded Lady, with Wasters, The Bear Hunt, and Mudshadows. An awesome line-up to be sure, but what made my heart glow was waking up to find that Mudshadows had done a up a cool DIY promo video for the night, which made me very, very ashamed. For all of my DIY ramblings and rah-rah cheering from the sidelines (or underlines, really), there are times when I take shows for granted and forget that this is, as it always has been, a shit-ton of fun and should not to be taken so lightly (as backwards as that sounds). Yup, you have to work & care to have such fun.

People don’t just magically appear at your show because you hope they do. They need a good reason, any reason, and if making a cool & funny video is what it takes then I need to be out there on the front lines with my handycam streaking in traffic to get my point across. Luckily for me, Mudshadows have done the heavy lifting for me this time, but consider it a lesson well-learned: don’t take the good stuff for granted. Even when it’s fun, it’s still work.

In other self-promoting news, we reached out to Ted’s Records when we read they were looking for bands who would be interested in doing an acoustic session to be filmed.  They responded by letting us know that they had completely forgot that they had done that, which is how all awesome independent projects should start: ambition mixed with equal parts amnesia.

We got to the top of a beautiful spot in Sydney and did three numbers, one of which didn’t turn out because of the wind, but we still got two other numbers that made the cut, so all in all it was the start of a good week of productivity (for us). The first was for “I Can’t Make It On My Own”…

Followed by a stripped back version of “Dick Move”

Sadly, “Sight For Sore Eyes” was the one that got mangled by mother nature, but that only makes sense because of course that’s the one we used for our side of the split 7. I like how fate kind of keeps our expectations in check.

Anyways, if you are in Brisbane on Friday you should come out, and if you’re anywhere else in the world you should have a poke around the Ted’s Records site and check out all the cool snaps and vids and write-ups that are very much a part of Sydney’s mal-nourished-yet-still-amazing underground music scene.

Believe the hype xoxo

Going Big. Going Home.

December 29, 2012

Things were rather dreary for a while.  The band was depressed, I was depressed, etc etc.  When so much of what you perceive to be your existence or success depends on the opinion of someone else, then yeah, you’re basically setting yourself up for misery, and that is exactly what we fell into.  No matter how much I try to be isolated and independent, at some point, sooner or later, getting our music out to the world does, in large part, require some assistance in any number of forms: radio, TV/video, mags, street press, blogs, word-of-mouth, buzz, whatever.  Of course, you can solve most of those problems by being so unbelievably, undeniably good that people will be forced by the absolute power of your art to spread the word for you, but as of yet, we have yet to create that.  As it stands, we create whatever it is we create and toil away at getting the word out in whatever fashion we can.  Sometimes things are good, sometimes they’re bad, and sometimes there is nothing at all.  That’s when it gets dark.

So we were all collectively bummed out for much of the past year, wondering what we were doing and where we were going.  Getting even a sliver of success can do that to you.  It’s not that we all developed raging drug habits and started dating B-list Aussie actresses.  Nothing quite as interesting as that.  Rather, we got used to people paying attention and assumed that they would continue to do so.  After all, if people thought that one of our throwaway songs was good….

….then surely they would like our other, newer, better stuff, right? And after all, aren’t we getting to be a much better live act?

Well, no and yes, and really, in the end none of that matters.  It’s not a science project.  Buzz is buzz and that is that.  You cannot buy it (not for long anyways), and you can’t fake it.  It can only happen when it’s the real deal and it is ON.  When you’ve got it, it gets under your skin and that same electricity you create onstage is with you 24/7….at least, until it wears off.  And then it hurts.  A lot.

So we’re swimming in this state of withdrawal, heavily addicted and starting to fray at the seams, but not quite coming apart.  We kept writing songs and playing shows but kept chasing something bigger and better, all the while suffering from sever highs and lows and confusion and doubt.  All of a sudden I couldn’t tell what was good or not, and my instincts, which had kinda sorta served me well enough in the past flew out the window.  I don’t have any hard data, but I’m pretty sure I didn’t finish a song for 10 months or so, getting lost in false starts and meandering blah that really didn’t go beyond a few opening arcane couplets and some weak chord progressions.  It wasn’t pretty.

So…we decided to go to America.  We’d been wanting to do it for ages and although no one said anything I’m pretty sure we were all thinking that we might want to have a last blast of fun before things completely fell apart.  Surprisingly, we actually managed to get our shit together enough to buy plane tickets, book a run of shows, and step on the plane.  We all left at different times, but we met in New York City and whatever was meant to happen…it happened.

We played in traffic:IMG_5544

We went bowling:133025_10151249789458126_1234063652_o 244183_10151249786943126_551534578_o

We played some music every once in a while:IMG_5180

Along with a bunch of other headaches and pains that go along with being a band on the road.  We went into a recording studio and recorded our latest single (more on that in the new year), all the while using trains, planes, and automobiles to get from point A (NYC), to point Z (Atlanta), where we all said goodbye and went our separate ways, each person (or group of people, since we actually had more Aussie friends/roadies/groupies with us than actual band members) off to finish their time in America as they saw fit.

As for me, I went to visit my parents & fiancé in Florida.  We drove to New Orleans and along the way stopped to snap this:
561859_10151267715508126_254085277_n

And now I’m sitting here in the dregs of Summer, a bit bummed out and staring at a nearly empty glass of beer resting on a cheap-yet-arty fleur de lis coaster that we picked up in the Crescent City.

The net result? A lot of memories, some new friends, some new fans, and most importantly: buzz.

Not from other people, but from within, the kind that turns us back into teenagers who have written their first song and are pretty well convinced that we’re the greatest band ever.  Soppy?  Yeah, probably, but I don’t much care.

And that’s what we got up to and that kind of gave us a new lease on life.  For the first time ever, I could see Australia in a different light regarding its status in the larger world of music.  After all, when one gets amongst it in the beast that is the USA it does make a large island with a small population seem somewhat….provincial?  It is what it is, both good and bad (and oftentimes great), but it is not the center of our existence, and that has made all the difference.

I probably could have saved us all a lot of time and trouble and just called this post “How Sparky got his groove back” and added  the “Humpty Dance” for a backing soundtrack, but nah, you know me.  Why use one word when 1,000 will do?

We made you a souvenir.  Here is us banging away at the Bar East Ale House on September 22, 2012.  It’s not great, but if you’ve ever wondering what Royal Chant is like live this ain’t too shabby.  Consider it the most povo Festivus present we could scrape together, and apologies if you wanted something good, like socks.

Catch you soon in the New Year.  Stay safe, but make it a smashing one.

Love, peace, hugs, & kittens.

-M